Journal articles, essays, book chapters, book introductions: Angeliki Lymberopoulou, Pamela Bracewell-Homer, and Joel Robinson (London: Tate Publishing, 2012), 234-40. Reprinted excerpt from “Originality,” in Art & Visual Culture: A Reader, ed. Serbo-Croatian edition: Belgrad: SVETOVI, 2007.Ĭhinese edition: Nanjing University Press, forthcoming. Korean edition: Seoul: Artbooks, 2006 second edition, Mijin, 2015. Slovokian edition: Bratislava: Soros Center for Contemporary Art, 2004. Second edition: (Chicago: University of Chicago Press, 2003). Edited Book:Ĭritical Terms for Art History (Chicago: University of Chicago Press, 1996). Books in progress:Īn interpretive study of Frank Stella’s artĪ selection of my published essays in German translation, with an introduction by Stephan Neuner (Zurich: Diaphanes).Ī selection of my published essays in Serbo-Croatian translation, with an introduction by Milovan Novakovic (Podgorica: CID). Writing after Art: Essays on Modern and Contemporary Artists (New York: David Zwirner Books, 2023). Jack Whitten: Cosmic Soul (New York: Hauser & Wirth, 2022). Sensuous Thoughts: Essays on the Work of Donald Judd (Marfa TX: Marfa Book Company and Berlin: Hatje Cantz, 2020). Joel Shapiro: Sculpture and Works on Paper, 1969-2019 (Zurich: Scheidegger & Spiess, 2020). More Dimensions Than You Know: Jack Whitten, Paintings 1979-1989 (New York: Hauser & Wirth Books, 2017). Matsuoka, Eureka 28 (September 1996): 136-47.īarnett Newman: A Catalogue Raisonné (New York: Yale University Press, 2004).Į-book edition (2021): –a-catalogue-raisonneīetween Sense and de Kooning (London: Reaktion, 2011).Įxcerpt repr.: “Hands,” Willem de Kooning: Untitled XXI (New York: Christie’s, 2022), 21-33.Įllsworth Kelly: New York Drawings 1954-1962 (Munich: Prestel, 2014). « The Poussin Legend », trans.Takanobu Tobishima and Shin’ichiro Reprinted excerpts: « Defining ‘Impressionism’ and the ‘Impression’, » in Francis FrascinaĪnd Jonathan Harris, eds., Art in Modern Culture: An Anthology of Critical Texts Daniel Aguirre Oteiza and Roser VilagrasaĬhinese edition: Zhejiang University Press (forthcoming). Valoración crítica del arte moderno, trans. Spanish edition: Cézanne y el fin del impresionismo: Estudio de la teoría, la técnica y la Jean‑François Allain (Paris: Flammarion, 1995). Richard Shiff - Publications Books:Ĭézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art (Chicago: University of Chicago Press, 1984).įrench edition: Cézanne et la fin de l’impressionnisme: théorie, technique et évaluationĬritique de l’art moderne, trans. Mellon Fellow in the Humanities, University of Pennsylvania, 1979-80. National Humanities Center Fellow, Spring 1986. ![]() John Simon Guggenheim Fellowship, 1985-86. Major post-doctoral fellowships and awards:Įlected to American Academy of Arts and Sciences, 2018.ĭistinguished Teaching of Art History award, College Art Association, 2010. Visiting Professor of History of Art, Yale University, Fall 1985.Īssociate Professor of Art, University of North Carolina at Chapel Hill, 1978-86.Īssistant Professor in the Department of Art, the Committee on Art and Design, and the Committee on General Studies in the Humanities, University of Chicago, 1974-78.Īssistant Professor of Art, Tyler School of Art, Temple University, 1971-74. Whitney Halstead Visiting Professor, School of the Art Institute of Chicago, Fall 1987. Professor of Art, University of North Carolina at Chapel Hill, 1986-88. Visiting Professor of Art History, Emory University, Spring 1994. Dissertation title: « Impressionist Criticism, Impressionist Color, and Cézanne. » Teaching Appointments:Įffie Marie Cain Regents Chair in Art, and Director, Center for the Study of Modernism, The University of Texas at Austin, 1989 to present. ![]() Harvard Graduate School of Arts and Sciences. BA, 1965, « Magna cum laude with Highest Honors in Architectural Sciences. » Phi Beta Kappa. Office: Department of Art and Art History
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